Jane Got a Gun (2015) [Blu-ray]
Action | Drama | Western
Tagline: Strength, justice, power, vengeance.
Young and pretty with a soul of pure steel, Jane Hammond (Portman) is a good girl married to one of the worst baddies in town. When her husband Bill turns against his own gang, the vicious Bishop Boys, and returns home barely alive with eight bullets in
his back, Jane knows it's time to ditch the dress for a pair of pants and strap on her own gun. As the relentless leader John Bishop gears up for revenge, Jane's best hope for her family's survival rests with her old love Dan Frost - a gunslinger whose
hatred for Bill is only slightly overshadowed by his love for Jane. Together Jane and Dan spring clever traps, luring Bishop's men to certain death just as their old feelings for each other resurface amidst the flying bullets. With director Lynne Ramsay
(We Need To Talk About Kevin , Morvern Callar) at the helm, the rich dimensions of these characters find their best ally with Jane out in front, taking her fate into her own hands with the kind of bravado legends are made of.
Storyline: Jane Got a Gun centers on Jane Hammond, who has built a new life with her husband Bill "Ham" Hammond after being tormented by the ultra-violent Bishop Boys outlaw gang. She finds herself in the gang's cross-hairs once
again when Ham stumbles home riddled with bullets after dueling with the Boys and their relentless mastermind Colin. With the vengeful crew hot on Ham's trail, Jane has nowhere to turn but to her former fiancé Dan Frost for help in defending her family
against certain destruction. Haunted by old memories, Jane's past meets the present in a heart-stopping battle for survival. Written by Relativity
Reviewer's Note: Reviewed by Martin Liebman, April 14, 2016 Cast, crew, and production delays plagued Jane's Got a Gun, the period Western that finally released about a year and a half behind schedule. Despite the
not-so-merry-go-round of issues that revolved around the movie faster than a six-shooter's cylinder, the end product isn't at all bad, a movie that's a fair bit darker than the average Western but one that certainly captures the famed genre's essence and
spirit through a prism of violence and emotion in the untamed and arid American west. The wayward production is likely the reason that Anchor Bay's Blu-ray arrives without the benefit of any bonus features, but the movie stands tall enough on its own
merits and should please genre aficionados looking for more after the recent release of Forsaken, an instant classic starring Keifer Sutherland and his father Donald.
Jane Hammond (Natalie Portman) and her husband Bill (Noah Emmerich) have scratched out a decent life in the middle of the vast American Western expanse, but their world is upended when Bill returns home, severely wounded with several bullets in his back.
He's had a run-in with an old family nemesis, the Bishop Boys, led by the notorious John Bishop (Ewan McGregor). Bill claims that the gang is going to come, come fast, and come well armed with the intent of destroying the family once and for all. Jane
tends to her husband's wounds, but he's in no condition to mount a defense. As a last-ditch resort for help, Jane approaches her ex-fiance Dan Frost (Joel Edgerton) to come to her and Bill's aid. He reluctantly agrees, finding himself in the middle of a
deadly showdown, vowing to protect the woman who once left him for another man.
Like many of the great Westerns before it, story complexity isn't at the forefront of Jane Got a Gun. The movie is built around a simple premise of "bad guys want good guys dead." It's hardly revelatory or groundbreaking, but the movie works well
with that as a backdrop to a more intimate story of how lives become, and remain, entwined. The film occasionally drifts to flashback to better establish the relationship Jane has with both of the men in her life, her wounded husband and her one-time
companion and lover who has revoked his own pledge to stay way from Jane in the name of saving her life, or at least trying to save her life, in the face of practically impossible odds. The movie doesn't always work well from a structural perspective, but
such scenes get the job done by way of better establishing the necessary components to propel the narrative. The film finds its footing less in the ways of its action and the cruder story details that see it evolve to the inevitable showdown and more in
how the characters come together and how they carry the baggage that their past and present relationships bring to the table. But it's not in any way melodramatic. Director Gavin O'Connor (Miracle) keeps the narrative in check, playing on the grim
and gritty realities but finding enough foundational strength to carry the action as a compliment to the story, not the other way around.
The cast is quite good, despite its somewhat patchwork assemblage. Portman is surprisingly effective at falling into a character of this sort, a woman who is less a pretty, vulnerable face and more a hardened, determined mother and wife who's handy enough
with a rifle and capable of holding her ground against the odds. Portman looks great in costume that never downplays her beauty but accentuates her character's rougher edges. She nails physical and verbal mannerisms that help create a more fully developed
character. She's unquestionably the movie's strength, not because she's the title character but because she understands the dynamics and goes all-in for the more demanding physical and emotional requirements. Noah Emmerich doesn't often get to do much
other than lie in agony on his bed, but even through the pain and sweat he captures base emotions very well, particularly once he realizes it's Frost who has come to aid his wife. Joel Edgerton delivers another commanding performance as the ex-lover and
hired gunslinger, while Ewan McGregor completely melts into character as the primary antagonist.
Jane Got a Gun doesn't reinvent the Western wheel, but it shows a fine command of the genre's most basic story themes. It capably overcomes a somewhat troubled production history, yielding a strong cast, superb production values, and largely fluid
direction. Genre fans should not hesitate to cheek it out. Anchor Bay's Blu-ray is disappointingly, but unsurprisingly, absent supplemental content. 1080p video and lossless audio, however, are fine. Recommended.
[CSW] -2.5- A fair movie. I found it to be a bit slow and, for me, very predictable even with all of the plot holes. I would have been absolutely impressed if they had implies that Jane had planned all of it from the beginning. After you watch it you'll
understand what I mean.
[V4.5-A4.5] MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.
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